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Hana (2006) @ 花よりもなほ

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"I don't wanna be a samurai. I just wanna have sex all day."
At a glance:
There are quite a few Japanese movie titles which start with "hana" (meanin "flower") and some of these simply get the short title when they reach other countries. It was tough to tell them all apart but this isn't the murder mystery I thought I was gonna watch! Somewhere in pathetic, rural Edo (old Tokyo) a few hundred years ago, a travellin samurai (Junichi Okada) stays in decrepit conditions as he struggles to locate his father's killer. Life however, is never that easy because nobody will give him respect until he performs that sacred task, except perhaps the hot widow-next-door, Osae (Rie Miyazawa) and his young son. As time goes by, the contemplative samurai discovers that the ancient codes seem to be a hindrance on the way by which he really wants to live his life.
Bad news on the doorstep:
Hana 2006 花よりもなほ Japanese samurai naked sex women easy Malay callgirl Singaporean sexy topless website nipple ring free bukkake special American Obama Tony Awards Aaron Aziz macho
"We have come to kill the LGBT community
that threatens our values!"
This movie is directed by Hirokazu Koreeda who is well-known for his morbid themes of death and loss - yet the movie explores these with the most annoyin lack of attention and sobriety. Although I have only read about his impressive line of movies, they certainly promise some hard-hittin drama. Did I miss the point, or does this movie simplu not translate well to foreign audiences?
I can't remember if I cried:
Hana 2006 花よりもなほ Japanese samurai naked sex women easy Malay callgirl Singaporean sexy topless website nipple ring free bukkake special American Obama Tony Awards Aaron Aziz macho
I wasn't kiddin about this bein
a lazy Sunday afternoon movie.
It's obvious the film isn't meant to be a silly farce but much of the story has been muddled by unhelpful sidetrackin and an excess of dialogue - or is it an excess of subtitles? This is definitely not your average samurai movie, what with its black humour and light overtones. The subject matter of the redundant samurai is sufficiently discussed but lacks any sort of cinematic impact for it to retain resonance. The 'boyband' samurai actor just couldn't carry any real pain or guilt in his performance. Also, too much of our attention is diverted to the village idiot, the lover of the landlord's wife and also other bit-part characters which gives the movie an episodic, lazy afternoon viewin feel.
Amacam joker, berapa bintang lu mau kasi?
 Despite its rich historical and cultural details e.g. the (literally) shitty 17th century outhouse, the village plays and also a subplot on the famous 47-ronin story, this movie projects a stubborn lack of urgency. The directional kamikaze is finally committed when a dissatisfyin, all-too-pleasant endin was served.★★
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